I went several times during the festival to Pyongyang Department Store Number 1. This is in the very centre of the city. Its shelves and counters were groaning with locally produced goods, piled into impressive pyramids or in fan-like displays, perfectly arranged, throughout the several floors of the building. On the ground floor was a wide variety of tinned foods, hardware and alcoholic drinks, including a strong Korean liqueur with a whole snake pickled or marinated in the bottle, presumably as an aphrodisiac. Everything glittered with perfection, the tidiness was remarkable.Comedy and tragedy. Creepy, poignant, and incendiary. Brings to mind 1984, but also Dawn of the Dead.
It didn't take long to discover that this was no ordinary department store. It was filled with thousands of people, going up and down the escalators, standing at the corners, going in and out of the front entrance in a constant stream both ways - yet nothing was being bought or sold. I checked this by standing at the entrance for half an hour. The people coming out were carrying no more than the people entering. Their shopping bags contained as much, or as little, when they left as when they entered. In some cases, I recognised people coming out as those who had gone in a few minutes before, only to see them re-entering the store almost immediately. And I watched a hardware counter for fifteen minutes. There were perhaps twenty people standing at it; there were two assistants behind the counter, but they paid no attention to the 'customers'. The latter and the assistants stared past each other in a straight line, neither moving nor speaking.
Eventually, they grew uncomfortably aware that they were under my observation. They began to shuffle their feet and wriggle, as if my regard pinned them like live insects to a board. The assistants too became restless and began to wonder what to do in these unforeseen circumstances. They decided that there was nothing for it but to distribute something under the eyes of this inquisitive foreigner. And so, all of a sudden, they started to hand out plastic wash bowls to the twenty 'customers', who took them (without any pretence of payment). Was it their good luck, then? Had they received something for nothing? No, their problems had just begun. What were they to do with their plastic wash bowls? (All of them were brown incidentally, for the assistants did not have sufficient initiative to distribute a variety of goods to give verisimilitude to the performance, not even to the extent of giving out differently coloured bowls.)
They milled around the counter in a bewildered fashion, clutching their bowls in one hand as if they were hats they had just doffed in the presence of a master. Some took them to the counter opposite to hand them in; some just waited until I had gone away. I would have taken a photograph, but I remembered just in time that these people were not participating in this charade from choice, that they were victims, and that - despite their expressionless faces and lack of animation - they were men with chajusong, that is to say creativity and consciousness, and to have photographed them would only have added to their degradation. I left the hardware counter, but returned briefly a little later: the same people were standing at it, sans brown plastic bowls, which were neatly re-piled on the shelf.
I also followed a few people around at random, as discreetly as I could. Some were occupied in ceaselessly going up and down the escalators; others wandered from counter to counter, spending a few minutes at each before moving on. They did not inspect the merchandise; they moved as listlessly as illiterates might, condemned to spend the day among the shelves of a library. I did not know whether to laugh or explode with anger or weep. But I knew I was seeing one of the most extraordinary sights of the twentieth century.
I decided to buy something - a fountain pen. I went to the counter where pens were displayed like the fan of a peacock's tail. They were no more for sale than the Eiffel Tower. As I handed over my money, a crowd gathered round, for once showing signs of animation. I knew, of course, that I could not be refused: if I were, the game would be given away completely. And so the crowd watched goggle-eyed and disbelieving as this astonishing transaction took place: I gave the assistant a piece of paper and she gave me a pen.
The pen, as it transpired, was of the very worst quality. Its rubber for the ink was so thin that it would have perished immediately on contact with ink. The metal plunger was already rusted; the plastic casing was so brittle that the slightest pressure cracked it. And the box in which it came was of absorbent cardboard, through whose fibres the ink of the printing ran like capillaries on the cheeks of a drunk.
At just before four o'clock, on two occasions, I witnessed the payment of the shoppers. An enormous queue formed at the cosmetics and toiletries counter and there everyone, man and woman, received the same little palette of rouge, despite the great variety of goods on display. Many of them walked away somewhat bemused, examining the rouge uncomprehendingly. At another counter I saw a similar queue receiving a pair of socks, all brown like the plastic bowls. The socks, however, were for keeps. After payment, a new shift of Potemkin shoppers arrived.
... But this is no joke, and the humiliation it visits upon the people who take part in it, far from being a drawback, is an essential benefit to the power; for slaves who must participate in their own enslavement by signalling to others the happiness of their condition are so humiliated that they are unlikely to rebel.
Slavery is deeply entrenched in people, it seems. To submit to this horror is surely worse than death.
But then so many of us in the western world do much the same - that is a pointless, strenuous, going-though-the-motion type "occupation", for our own little palette of rouge.